Skip to main content

In-Class Blog: Popeye's Origins

Image result for popeye


I had been watching Popeye from a very early age. My mom was a big fan of the cartoons since she moved to the States, so she had a vast collection of Popeye cartoons on cassette tapes. Though this is so nostalgic to me, I never knew about the comic strips. The Popeye in the comic world is vastly different from the animation Popeye as well. In the comics, Popeye wasn’t even the main character until much later. He was still a brawly sailor who beat people up with ease, but the iconic spinach of the cartoons was never introduced in the comics. Bruno, Popeye’s rival, didn’t make an appearance as well. Reading these panels made me wonder how much I truly knew about Popeye, because apparently I know very little about his origins.
I enjoyed reading these comics because they are relatively easy to flip through. With minimal sentences and neat rectangular panels, you can go through several pages in a short amount of time. In the beginning, there was a lot more dialogue so the bubbles would take up half of the panel space. As the comic improved, that space got smaller and easier to read. Sometimes the word bubbles looked squished if there was conversational dialogue, but I think that was just because of the narrow panel format. If you were to type out the whole sentence on a standard page, I’m sure it would barely reach one line. Many panels would only have one word bubble or just a simple sound effect, so it would make up for previous “dialogue-heavy” panels. I also found it interesting that the whole book was continuous and not a collection of short-running gags. I guess my assumption came from the many standalone episodes I’ve watched growing up. It was fun to follow a whole story rather than small segments, since it allows the reader to learn more about the character’s personalities.


Comments

Popular posts from this blog

WEEK 2: UNDERSTANDING COMICS

This week I read Understanding Comics by Scott McCloud, and it was quite an eye-opening experience. At first I thought the book would be more of a history lesson, going through famous comics through the years almost like a textbook. However, McCloud provided something much more insightful than that. He was able to explain the structure, iconography, style, pipeline, and so much more all in approximately 200 pages. I really enjoyed the structure of the book as well—teaching about the world of comics in the form of a comic. This visual approach really helped to carry his points across the page in a simple, fun way. The pacing of his lecture was well-written too, being informative but also captivating. I learned a lot of new terms and ideas from McCloud, but I really enjoyed reading about the different transitions used in comics. It is interesting to note that the vast majority of Western comics primarily use 3 out of 6 transitions (action, subject, and scene), with act...

In-Class Blog: KILLING JOKE RESPONSE

1. What is your reaction to the text you just read? I've actually been wanting to read The Killing Joke  for a long time, so I'm glad that I was finally to. People have raved over this comic for being completely original and a unique take on the Joker. I would say the same after reading through it. The story was really captivating and kept me interested the whole way. Especially after watching the Joker  film that recently came out, there is this strange limbo feeling of wanting to be sympathetic but also morally correct. Nevertheless, I felt like I understood the Joker more as a character with a troubled past, rather than just a tacky villain. This comic allowed the reader to step inside the madness that drove him to be where he stands today. I also love a good backstory, so that was a plus for me. The only thing that put me off was the part about Barbara. I am aware that the criticism for this subject has been made constantly, and even Alan Moore himself regrets the story ...

WEEK 6: UNDERGROUND COMICS

For this week, I read a selection of underground comics on the course resource page. I did manage to read through Robert Crumb’s Mr. Natural as well, and I honestly don’t know how to comprehend most of these. To put it bluntly, I didn’t enjoy reading any of these comics. It was kind of like a culture shock to me since I had never seen or heard anything like these before. The humor was too crude and sexual for my taste, and the drawings were also hard to follow sometimes. I found a lot of the comics to have too much going on in one panel, and having unsettling body proportions. It was strange how much illegal sexual activity was found in these comics, like child molestation and bestiality. Overall, it was chaotic and overwhelming to look at. I understand that the times were very different and that these were a form of artistic expression against the societal norms, hence the term “underground,” but there were so many times where these comics just went way overboa...